AKAN CULTURAL SYMBOLS PROJECT ONLINE
 

INTRODUCTION

samples of adrinka cloth 

 

      The arts of a people offer an illuminating view of its culture - its thought processes, attitudes, beliefs, and values. The art of a particular culture can reveal ever changing human images and attitudes, so awareness of a people's indigenous art, visual and cultural symbols can become an important medium for cross-cultural understanding.  

 
"Just as written documents [that utilize phonographs] materialize history in literate communities," as pointed out by Fraser and Cole (1972, p. 313), "so in traditional societies, art forms make the intangible past more real."  
Some of these art forms utilize pictograms and ideograms, and are pregnant with text that symbolizes ideas on several levels of discourse. The focus of this project is to utilize the pictograms and ideograms encoded in the arts of the Akan to decode some aspects of the history, beliefs, social organizations, social relations, and other ideas of the Akan of Ghana. 

       The Akan of Ghana and La Cote d'Ivoire have incorporated the ideographic and pictographic writing systems in their arts in such media as textiles, metal casing, wood carving, and architecture. The Akan's use of pictographs and ideograms reached its most elaborate forms in the regalia of the king's court. As Kyerematen (1964, p. 1) has written 

the regalia of Ghanaian chiefs have been of special significance in that they have not been merely symbols of the kingly office but have served as the chronicles of early history and the evidence of traditional religion, cosmology and social organization ... [and] it has been customary for the regalia to be paraded whenever the chief appears in state at a national festival or durbar, so that all who see them may read, mark and inwardly digest what they stand for.
       The Akan Cultural Symbols Project Online is designed as an educational resource to show the relationships between Akan visual arts and Akan verbal genres. It is also to show some aspects of the rich cultural heritage of the Akan of Ghana. 

       In developing the Akan Symbols Project as educational resource, the goal is to reach as many people as possible with some aspect of the Project. The Internet is one best medium through which this goal of the Project will be achieved. The Project, therefore, comprises this web site - Akan Cultural Symbols Project Online; a series of books and catalogues; photo exhibitions, lectures and workshops; and multi-media CD-ROMs. 
 
 

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       The Akan Cultural Symbols Project Online serves as an introduction and guide to the related books and CD-ROM components. Continually, we will update and add to this web site new resources that become available as part of the Akan Cultural Symbols Project.  
 
   
   

  We just received new shipment of copies of the book on November 15, 2006.
 The first book in the series is now available and is entitled Cloth as metaphor: (Re)reading the adinkra cloth symbols of the Akan of Ghana. Copies of Cloth as Metaphor can be obtained from the publisher, Centre for Indigenous Knowledge Systems - CEFIKS at the following url: http://www.cfiks.org/publication.htm. You may also fill out this mail-order form or pay by Paypal.

The first CD-ROM that catalogues about 800 of the adinkra cloth symbols has been completed and is available from CEFIKS Publications, 3548 Cherry Hill Court, Beltsville, MD 20705. You may call 301-592-7615 for further information on how to get any of these publications.

A photo exhibition on adinkra  cloth symbols,
Cloth As Metaphor, has been developed for borrowing. Contact Dr. G. F. Kojo Arthur at
Click here to submit online form for more information about this exhibition.

The Akan Cultural Symbols Project has a schools/community outreach program that has been taken to public and private schools, public libraries, churches, and universities. Contact Dr. G. F. Kojo Arthur at
Click here to submit online form for more information about this outreach program.

There are two other CD-ROMs in the works. One will be a multi-media CD-ROM on adinkra cloth symbols and is targeted for use in secondary schools. The other CD-ROM, The Language of Akan Gold Weights will be based on symbols from the gold weights.
 

Mako nyinaa mpatu mmere [Akan Economics]
 

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RELATED LINKS
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This web site was cited in the Scout Report for Social Sciences Vol. 2 No. 9 on January 26, 1999.
This web site was cited as information technology resource in the Chronicle of Higher Education, page A 25 on February 12, 1999.


This web site is cited on the The Social Science Information Gateway (SOSIG). SOSIG is a freely available Internet service
 

 
 
Please send comments and suggestions to Click here to submit online form

 

EXHIBITIONS

 

Cloth As Metaphor Exhibition

Cloth As Metaphor is an exhibition about indigenous symbols and the arts of the Akan of Ghana in West Africa . The Akan of Ghana and the Ivory Coast ( West Africa ) encode a number of symbols in their hand-woven and hand-printed cloths such as the adinkra and kente cloths. The symbols encoded in these cloths are linked to proverbs, stories, songs, maxims, beliefs and everyday expressions. These symbols in essence constitute a writing system with which the Akan communicate.

KENTE CLOTH EXHIBITION

The Language of the Kente Cloth of the Akan and Ewe of Ghana

The hand-woven kente cloths of the Asante and Ewe of Ghana serve to bring color and beauty into their lives as well as to keep their bodies warm. Kente cloths are also used to express one’s status and to evoke certain messages. Cloth tells a story and some people claim that woven textiles are the ancestors of written texts. Textile weaving provides a society a way in which to establish their identities through metaphorical use of symbols and signs. The kente cloths of the Asante and Ewe of Ghana teach us many things: history, social and political organization,  mathematics, language arts such as poetry and folk stories, and the beliefs of the people. This poster exhibition provides us with an opportunity to peep into the cultures of the Asante and Ewe of Ghana.

For more information on these exhibits contact: Click here to submit online form

Telephone: 301-592-7615.

Master Weaver in Residence

Master Weaver Ekooba Gyasi

We are glad to announce that the Centre for Indigenous Knowledge - CEFIKS - has a master kente weaver, Ekɔoba Gyasi, in-residence in the USA. Ekooba Gyasi is a master weaver from Bonwire, Asante. Mr. Gyasi has demonstrated, lectured and taught kente weaving in schools in Ghana, and in schools and museums across the USA. He provides demonstrations and workshops for schools and colleges and the general public. For more information about how to get Mr. Gyasi to give demonstration to your group or school, please contact

CEFIKS Publications,
3548 Cherry Hill Court,
Beltsville, MD 20705.
Telephone: 301-592-7615
E-mail:
Click here to submit online form
This section uses the Gentium font - which can be downloaded from the Internet.

Last revised: 02/22/2007
© G. F. Kojo Arthur and Robert Rowe - 1998-2001

 

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 A factory-made cloth called Achimota 

 

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Kyemfere - Potsherd 

[Akan Knowledge]
 
 A contemporary house with Gye Nyame symbol prominently displayed on front wall
 

SANKOFA [Goldweight]

 

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chair with Gye Nyame symbol carved on backrest 

 


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MAP OF GHANA
The Akan in Ghana occupy the Brong Ahafo, Ashanti, Western, Central, and Eastern Regions, as well as portions of the mid-section of the Volta Region on the map above. 


 
ACKNOWLEDGEMENT

The Akan Cultural Symbols Project has been made possible through the help and support of several people and institutions. We will like to express our sincere thanks to Dr. Betty J. Cleckley, Vice President for Multicultural Affairs and International Programs, Marshall University for providing partial funding for the field research for the Project. 

Our thanks also go to Nana Antwi Buasiako, Asantehene Kyeame; "Teacher" John Nsiah, Ntonso; Mr. Samuel Appiah, Asokwa; Mr. Joe Gazari, National Museum, Accra; Mr. Kofi Dwemfour, gold weight smith, Kumasi; Opanyin Kojo Bambir, carver, Achimota; Mr. Akwasi Owusu, Suame-Magazine; and Rev. J. Y. Bannerman, Tema who provided the contacts and shared their time, knowledge and other resources with us.

Research & Development Team:
Dr. George F. Kojo Arthur
Click here to submit online form

Dr. Arthur was responsible for all the content information

Prof. Robert E. Rowe, (formerly with Art Dept, Marshall University)
Prof. Rowe designed the homepage and the site.

Copyright 1998 Arthur & Rowe
All rights Reserved
We appreciate the help of 
Prema Qadir <prema@endarkenment.com>
and Brian Morgan <morgan16@marshall.edu>
in developing this web site.
 
 

All the pictures and text material on this site ©1998 by G. F. Kojo Arthur and Robert Rowe. Some pictures and text material © 2001 by G. F. Kojo Arthur.

Copyright permission for all images and text:
Contact
Dr. G. F. Kojo Arthur
120 Jenkins Hall
Marshall University
Huntington, WV 25755

Tel: 304-696-2876
Fax: 304-696-2866
E-mail: Click here to submit online form