TELEVISION SHOWS - BY TITLE
(L to X)

 
 

 

Nelson Bond was one of the pioneering script writers for television during the 1940/50s. When he wrote television was "live," which was before the use of film and later video tape brought an end to the immediacy of broadcast TV. Nelson preferred to work alone, and most of his work consists of scripts for theater dramas. With the rise of the popular weekly series in the 1950s, in which producers began to bring together teams of writers, he ceased television script writing.

 

 

 

 

 

 

 

 

 

 RETURN

“Life and Taxes,” POND'S THEATRE (ABC - 60 Minutes - live - 1955)

“The Lives of Robert Gordon,” PHILCO THEATRE (NBC - 60 Minutes - live - 1949).

 “Lobblies Never Lie,” KRAFT THEATRE (NBC - 60 Minutes - live - 1951).
 
“The Mask of Medusa,” RADIO CITY PLAYHOUSE (NBC - 30 Minutes - live - 1949); SUSPENSE (30 Minutes - live - 1949);
REVUE PRODUCTIONS (30 minutes - film - 1952/1953); TALES OF TOMORROW (ABC - Minutes 30 - live - 1953)
 
“Mr. Mergenthwirker's Lobblies,” JOHNNY PRESENTS (NBC - 30 Minutes - live - 1941); BROADWAY PREVIEWS
(90 Minutes - live - 1946); PHILCO THEATRE (NBC - 60 Minutes - live - 1946): KRAFT THEATRE (NBC - 60 Minutes - live - 1953).

“The Napoleon of Space,” ROD BROWN OF THE ROCKET RANGERS (CBS - 30 minutes - live - 1953).

“My Nephew Norvell” REVUE PRODUCTIONS (30 minutes - film - 1952/1953).

“The Night America Trembled,” STUDIO ONE (CBS - 60 Minutes - live - 1951).
 
“Peterson's Eye” REVUE PRODUCTIONS (30 minutes - film - 1952/1953).

“Pygmalion's Girl, ”BUCKINGHAM THEATRE (CBC - 30 Minutes - live - 1948).

 “Stars Be My Empire,” LIGHTS OUT (CBS - 30 minutes - live - 1949); OUT THERE (30 Minutes - live - 1949).

“Test Flight,”
TALES OF TOMORROW (ABC - 30 Minutes - live - 1951).
 
“There's No Case Like Homicide,” BROADWAY PREVIEWS
(90 Minutes - live - 1946).

“Under a Lucky Star,” STARS OVER HOLLYWOOD (CBS - 30 Minutes - live - 1952)
 
“Vital Factor,” X MINUS 1 (NBC -  30 Minutes - live - 1955).


Maintained by the Lisle Brown, Curator, Special Collections
© 2005, Special Collections, Marshall University
speccoll@marshall.edu