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CREDITS FOR GRAPHICS USED
The portraits used in this exhibit came from the following sources:
Jean Astruc (Public
domain image from U.S.
National Library of Medicine)
Benjamin Bell (Free
scan [ID: 000-000-151-315-C ] from Edinburgh University Library
).
Lorenzo Bellini
(Scanned from L. Bellini, Opera
omina, 1782).
Xavier Bichat
(Public domain
image from
French Wikipedia).
John Blackall
(Free
scan [ID: 000-000-522-914-C ] from Edinburgh University Library
).
Johann F. Blumenbach (Public
domain image from Wikipedia).
John Redman Coxe (Public domain image from
National Library of Medicine)
Jean-Nicholas Corvisart (Public domain image on
French Wikipedia).
Pedanius
Dioscorides (Public domain image from Wikipedia).
Robley Dunglison
(Courtesy
of Historical Collections & Services, Claude Moore
Health Sciences
Library, University of Virginia)..).
John Floyer (Image
from British Medical Journal, 1969, I, 242-245, Jan 25, 1969).
William Fergusson
(Public domain image from Wikipedia).
Pieter van Foreest (Public domain image from Jean-Jacques, Bibliotheca
chalcographica, 1652-69).
John Freind (Public
domain image from British National Portrait Gallery).
Samuel David Gross
(Courtesy of Thomas Jefferson University Archives
and
Special Collections).
John Hunter (Public
domain image from Wikipedia).
Francois Magendie
(Scanned from R. Major, History of Medicine, 1954).
Joseph Francois Malagaine
(Public domain image from U.S.
National Library of
Medicine).
Richard Mead
(Public domain image from Wikipedia).
Benjamin Rush
(Public domain image from Wikipedia).
Nathan Smith (Scanned
from H.A. Kelly, Cyclopedia of American Medical
Biography, 1920).
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ACKNOWLEDGMENTS
Valerie Adkins, Marshall University history graduate student, did all
the initial scanning of Hoffman Library title pages. She also conducted
much of the biographical research on the various physicians.
Lisle Brown, Curator of Special
Collections, did the final editing of all the graphics used in the
display. He also prepared the final textual matter, as well as designing
and coding the exhibit's final graphical appearance.
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