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THEATRE (THE)
101 Introduction to Theatre. 3 hrs.
Fundamentals of theatre arts.
112 Theatre Appreciation. 3 hrs. I, II, S.
Development of an appreciation and an understanding of theatre
as a fine art. For non-theatre majors.
150 Introduction to Technical Theatre. 2 hrs.
Introduction to scene design, lighting, set construction, and
other aspects of technical production. 150 and 151 should be taken
concurrently. 152 should be taken the following semester.
151-152 Introduction to Technical Theatre Laboratory. 1; 1
hr.
Practical experience in building, painting, dressing, and lighting
scenery. Work in conjunction with Marshall University Theatre
productions.
220 Stage Movement. 3 hrs.
Exercises for flexibility and control; stage terms and techniques;
pantomime; improvisation; manners and dances from major theatrical
periods; and acting scenes with usual movement.
221 Stage Voice and Dialects. 3 hrs.
Vocal techniques for the actor, including the study of dialects
222 Acting III: Scene Study. 3 hrs.
Development of skill through exercises and analytical study of
scenes. (PR: THE 220 and 221 or permission of instructor)
225 Creative Dramatics. 3 hrs.
Methods and techniques of creation of informal drama for all ages.
230 Auditioning Techniques. 3 hrs.
Techniques of auditioning for stage plays and musicals. (PR: THE
222)
250 Introduction to Costuming. 3 hrs.
The history, design, and construction of theatrical costumes.
255 Stage Makeup. 2 hrs.
The application of script analysis to determine appropriate straight,
corrective, aged, and/or character makeup designs. Practical knowledge
of anatomical structure, drawing, pancake, latex prosthetics and
facial hair are utilized. (PR: THE 150)
260 Theatrical Drafting and Rendering. 3 hrs.
The application of drafting and rendering conventions utilized
in the planning and execution of theatrical productions. Mechanical
drawing, computer assisted drawing, freehand sketching and color
application techniques will be employed. (PR: THE 150, 151)
261 Stage Decor. 3 hrs.
A historical view of period style, furniture, accessories and
motifs as they relate to interior decoration and architecture.
Student renderings of documented research will constitute portfolio
for subsequent design and applications.
270 Theatre Practicum. 1 hr.
Acting, directing, or technical work in Marshall University
Theatre productions. Register only with permission of instructor.
Open to all students. May be repeated for a total of four hours.
320 Acting Styles. 3 hrs.
Interpretation of roles from classical, romantic, neoclassical,
and modern plays. (PR: THE 222)
322 Advanced Stage Dialects and Accents. 3 hrs. I.
Study and practice of dialects and accents that are commonly
used in acting plays. (PR: THE 221)
325 Readers Theatre. 3 hrs.
Oral interpretation of dramatic text with emphasis on public
performance. (PR: THE 220, 221)
350 Stage Lighting I. 3 hrs.
Play analysis, production concepts, elementary electricity, lighting
instrumentation, color theory, intensity control, mechanical and
AutoCAD drawing, cueing, and design documentation are utilized
for lighting proscenium designs. Student light plots required.
(PR: THE 150, 151 and 152)
355 Costume Design. 3 hrs.
Practical and psychological aspects of design. Study of design
theory, script analysis, rendering techniques, fabric choices.
Development of designs from initial concept to final renderings.
(PR: THE 250)
356 Costume Construction. 3 hrs.
A hands-on approach to the techniques of theatrical costuming.
Period method by machine and hand, industrial machine, and some
pattern making. Work on classroom projects and university productions.
(PR: THE 250)
360 Scene Design I. 3 hrs.
Practical application of aesthetic and technical principles of
scene design for the proscenium stage. Script analysis, production
concepts, architectural research, mechanical and autoCAD drawings,
white models, painter's elevations are utilized. (PR: THE 150,
151 and 152)
361 Theatrical Scene Painting. 3 hrs.
Exploration of various techniques utilized by scenic artist
including the generation of painter's evaluations, interpretive
design renderings, estimating scenic demands, media selection,
and execution of designs in full scale. (PR: THE 261 or permission
of instructor)
362 Stage Management. 3 hrs.
The responsibilities of stage management are explored to prepare
students entering the profession. Principles and practices of
stage management are applied through scheduling, budgeting, running,
cueing, and safety. (PR: THE 150 and 350 or permission of instructor)
370 Theatre Practicum. 1 hr.
Acting, directing, or technical work in Marshall University
Theatre productions. Register only with permission of instructor.
(PR: Open only to Theatre Majors.) May be repeated for a total
of four hours.
410 Playwriting. 3 hrs.
Study of dramatic structure, characterization, dialogue, themes,
sounds, and spectacle, including the writing of one-act plays.
(PR: THE 101 or permission of instructor)
420 Acting for Musical Theatre. 3 hrs.
Analysis of musical scripts, study of spoken and musical
scenes, staging musical numbers, and preparation of audition material.
(PR: THE 222)
421 Acting for the Camera. 3 hrs.
Projects in acting for the camera. Video taping of selected
acting exercises. (PR: THE 222)
423 Stanislavski System Acting. 3 hrs.
Study of the Stanislavski System of acting and using it in
preparing and performing excerpts from plays. (PR: THE 222)
437 Directing I. 3 hrs.
Introduction to theories, principles, techniques, and history
of directing. (PR: THE 150, 151, 152 and 222)
438 Directing II. 3 hrs.
In-depth study of directorial approaches. Analysis of contemporary
movements and leaders in the field. Students must stage productions
as part of class requirement. (PR: THE 437)
440 Theatre History to 1660. 3 hrs.
Survey of man's activities in the theatre from primitive times
to 1660. (PR: THE 101 or permission of instructor)
441 Theatre History Since 1660. 3 hrs.
Survey of man's activities in the theatre from 1660 to present.
(PR: THE 101 or permission of instructor)
450 Stage Lighting II. 3 hrs.
Advanced study in lighting design principles utilized for non-proscenium
stages and/or impressionistic productions will be emphasized.
Combined visual, manual and computer generated documentation will
comprise portfolio for final critique. (PR: THE 350)
460 Scene Design II. 3 hrs.
Advanced work in the process and styles of design for the
stage. Abstraction, non-traditional materials and computer design
utilization for various theatre forms will provide portfolio documentation
for final critique. (PR: THE 261, 360)
480 Special Topics in Theatre. 1-4 hrs.
Program of study not normally covered in other courses. Topics
vary from semester to semester.
485-488 Independent Study. 1-4; 1-4; 1-4; 1-4 hrs.
Courses taught by tutorials; directed independent readings
or research; problem reports, and other activities designed to
fill the needs of individual students. (PR: Permission of chairman)
490 Theatre Internship. 1-4 hrs.
Supervised off-campus contractual work-study arrangement with
external agencies or theatrical institutions. (PR: Permission
of chairman)
491-494 Theatre Workshop. 1-4; 1-4; 1-4; 1-4 hrs.
Practical, participatory courses for advanced students and professionals.
Experience in new techniques, theories, and principles. (PR: Permission
of instructor)
495H-496H Honors in Theatre. 1-3; 1-3 hrs.
Readings for honors in theatre. (PR: Permission of chair)
499 Senior Capstone Project. 3 hrs.
The capstone project serves to demonstrate the student's proficiency
in the major field of study. It is the culmination of coursework
in the concentration (performance, directing, design, playwriting,
stage management, etc.) (PR: permission of instructor)
UNIVERSITY HONORS (HON)
Honors Seminar Substitution for a Department Major Requirement
or a College General Education Requirement. Substitution of an
Honors seminar for a department major requirement or a college
general education requirement should be requested before the course
begins, or no later than the completion of the course. No such
request will be honored during the second semester of the senior
year. See the Executive Director, CAE (Old Main 230), for instructions
and necessary forms.
101 Introduction to Honors. 1 hr. I.
Students meet their peers, learn about the Honors Program,
and through small group discussion talk about college life and
plan their academic future. Enriched section of New Student Seminar.
(PR: ACT 26 and 3.3 GPA)
150 Critical Issues. 4 hrs. II.
Study and critical analysis of thought-provoking reading
material. Examination of logical reasoning versus fallacious reasoning.
Designed to prepare the student for critical thinking in subsequent
honors courses. (PR: 3.3 GPA)
195-197 Interdisciplinary Honors. 4; 4; 4 hrs.
(195, Science and the Arts; 196, The American Experience; 197,
Ideas in Social Sciences). These courses are subject to periodic
changes in content. (PR: 3.3 GPA)
294 Interdisciplinary Honors. 4 hrs.
Ideas in Social Science. This course is subject to periodic changes
in content. (PR: 3.3 GPA)
295 Interdisciplinary Honors. 4 hrs.
Ideas in Natural Science. This course is subject to periodic
changes in content. (PR: 3.3 GPA)
296 Interdisciplinary Honors. 4 hrs.
Ideas in the Humanities. This course is subject to periodic changes
in content. (PR: 3.3 GPA)
395-396 Interdisciplinary Honors. 4; 4 hrs.
Open to distinguished sophomores and upperclassmen of the undergraduate
colleges and schools. Course content varies each semester. (PR:
3.3 GPA)
480-483 Special Topics. 1-4 hrs.
A study of special topics not listed under current course
offerings. (PR: 3.3 GPA)
495H-496H Departmental Readings for Honors.
See individual departmental listings.
WOMEN'S STUDIES (WS)
101 Introduction to Women's Studies.
YEAGER SCHOLARS (YGS)
161 Seminar in Communications and Computers. 5 hrs.
Development of skills in oral communication; knowledge of the
nature and impact of t he mass media; ability to use the computer
as a tool of communication and research.
162 Seminar in Humanities, Texts, and Values. 5 hrs.
Explores values in the life of the individual and society; examines
ideas and modes of inquiry common to the humanities by exploring
the works of selected Western thinkers.
271 Seminar in Theories of Natural and Social Sciences and
Statistics. 5 hrs.
ISC credit. Introduction to the nature of scientific thought,
methods, and theories in the natural and social sciences; explores
concepts in statistics relevant to the development of hypotheses
and theories.
272 Seminar in Arts and History. 5 hrs.
WAC credit. Introduction to the nature of the arts and their role
in societies; understanding the nature and value of history.
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